Ssamziegil, a place where people
encounter culture and crafts,
is breathing new life Insadong.
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Signboards of resident shops in Insadong
Ssamziegil(For left)
One of the open stores, ¡®Dakddongzip¡¯ and its
funny-looking items.
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Strolling along the Insadong is much easier
and relaxed compared to other crowded
must-visit areas in Seoul. It is a small district
with full of antique shops, art galleries,
bookstores, and traditional restaurants on
both sides and connecting alleys. A spacious
walk at the center is tread by visitors not vehicles
since the latter are not allowed passage along the
street, especially on the weekend. You can easily drop
in and out various antique shops in which owners take
pride of their exquisite or historic items. There are
also eateries often besieged by a long line of people
whose faces look eager for a bite to eat. For art-lovers,
galleries are always open.
Although Insadong¡¯s main attraction lies in its traditional
features, this does not mean it should remain
as stale, old place. Just last December there was a
noticeable update to the street as a six-story structure
(including two underground floors) was opened in the
area. Its name is ¡®Ssamzie-gil¡¯, and it is dubbed as a
¡®miniature¡¯ Insadong in itself. ¡®Ssamzie¡¯ means pouch
in Korean, but here it rather refers to Korea¡¯s popular
fashion and accessories company, which actually built
the mall. ¡®Gil¡¯ means a walk which is rather more traditional
and natural than an artificial pavement. The
building¡¯s name may seem unusual at first, but once
visitors step inside they will know why. A total of 70
shops including craftwork shops, restaurants and galleries
line a spiral route connecting the lowest to the
highest floor. Unlike other shopping malls which consist
of a number of shops on a single floor, visitors can
enter stores whilst just walking along the path or ¡®Gil¡¯
and making three turns before reaching to the rooftop.
It is an exquisite combination of walking and buying.
Choi Moon-Kyu, architect of Ssamziegil, said, ¡°There
are many reasons why people come to Insadong, such
as visiting galleries or
eating out, but in
the end what
t h e y
come for is a walk. The idea
of Ssamziegil started from
the purpose of extending
various routes in
Insadong.¡± The extension
he meant has been completed,
in a vertical way,
throughout the structure.
The most important aspect
of the design was differentiating
it from other buildings.
And after a long deliberation,
Choi came up with the ¡®gil¡¯ idea,
something which he believed to be the most
¡®Insadong-like¡¯, because it is the very medium connecting
people to others, as well as craft and culture.
The background story of the birth of Ssamziegil is
also noteworthy. In 1999, some 12 shops including
craft shops and paperers began to stubbornly defend
their tradition in the face of a dismantling order from
government development planners. It resulted in a
movement by civic groups to save those 12 shops,
and two years later the fashion brand Ssamzie bought
their land sites to restructure them into this new building.
Ssamziegil has a total of five entrances stretching
in all directions, without a main gate. At its central
garden on the first floor, there are a mass of signboards
from all resident stores attached on the wall as
well as stones and trees, which create a traditional
atmosphere. In the first basement floor, a commercial
gallery for young artists, art shirt shops, design collection
shops and commodity stores are located.
Climbing up to the second floor, several open shops
catch the attention of many visitors with creative
items on display. One of them is ¡®Dakddongzip
Design¡¯ selling humorous character goods as funny as
its name, which refers to the large intestine of a chicken!
Three young designers in
their 20s created a funnylooking
character called
¡®SSBA¡¯ in 2003 and since
then have been developing
inventive goods such as single
eating table, pulp notes,
Ramen bowls, etc.
Dakddongzip is a side dish
served with soju, Korea¡¯s
popular hard liquor and often
brings up the image of people
drowning their sorrows over
the food. Taking a cue from
this, they kept the name as a
symbol of expressing their
life stories and ideas through
the goods. One designer
working under the alias of Bongja says, ¡°It¡¯s
good to have an open store here, because people
come and go more freely and we can also approach
them in a friendlier way.¡± Previously their crafts were
sold via a specialized online shopping mall targeting
designers and fans, but now their customers are varied,
and are especially in 20s-40s age brackets. ¡°We
love this work as it is. It¡¯s definitely not for the
money,¡± she added.
Stepping up a little further one is encountered with
a group of people working on ceramic painting. They
are not specialist artisans, but visitors experiencing
hand-painting on mugs which they paid for. Yoon
Hye-Sung, a managing staff of a shop belonging to
Cerawork says, ¡°You can learn a bit of skill and take
your craft back home. Usually we have some 100 visitors
every weekend.¡±
On the third floor are located exhibitions for the
intangible cultural assets of Korea and shops selling
articles essential for marriage including Hanbok, the
country¡¯s traditional costume. Then in no time you
arrive at the top floor and meet with Haneul (sky in
Korean) Park where you can take a view of Insadong
street. Although it is not a wide open view from a
high structure, this place at least gives a break to your
tired legs.
Ssamziegil is also decorated with various creative
artworks, which provide some of the most popular
photo opportunities for tourists. One of the most
impressive works is a mass of red rubber gloves with
people¡¯s wishes written on them. They are hanging on
clothes lines like fat red squid, but telling various stories
of the people. There was also a drop-a-line board
asking passers-by what their view of Ssamziegil is.
One of the remarks reads; ¡°A new type of modernism
that gives super fun!¡±
Ssamziegil indeed adds a new look to Insadong,
and is a place where young artists are taking up the
baton from the old. Strolling along the 500 meters of
pathway, visitors will see the past and present of
Korean art as well as its future trends.
By Sun-A Lee
BusinessKorea writer
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